Spaces II

• Over 1,020 reverbs recorded around the world, including 353 brand-new presets
• Created by award-winning sounds producers Doug Rogers and Nick Phoenix
• New Presets feature churches, concert halls, opera houses, catacombs, train stations, recording studios, plates and more
• Winner of the MusicTech Excellence Award & SOS Reader's Choice Nominee

AN EXTENSIVE COLLECTION OF REVERBS FROM AROUND THE WORLD

If you’re looking for a comprehensive collection of impulse responses from every location imaginable, Spaces II is a Swiss army knife of creative and technical reverbs to suit any genre. From a large orchestra down to or a 5-piece ensemble or solo performance, Spaces II makes it easy to select a contextually appropriate and believable reverb for nearly any stage or environment you like, while offering clear detail that would normally get washed away in other convolution reverbs.

VENUES
(CHURCHES, CONCERT HALLS, OPERA HOUSE)
The ideal choice for choirs and orchestras, these reverbs have a long tail and present a lot of detail. With so many to choose from, you’re certain to find one with the exact density and tail you’re looking for.

OUTDOOR
(CAVES, COURTYARD, FORESTS)
Perfect for sound designers who need to recreate a physical space with strikingly different acoustics from anything you’d normally find in a reverb collection. Excellent for open spaces and unconventional settings.

LARGE INDOOR
(THE CATACOMBS, PARKING GARAGES, SWIMMING HALL, TRAIN STATIONS, WAREHOUSES)
Sound designers will find these reverbs valuable for foley work and adding to ambiences, and composers will love the opportunity to place their musicians in an environment far removed from a typical performance hall. The incredibly long tails in this collection are unlike any other spaces you have at your disposal.

CLASSIC
(PLATES, ROCK ROOMS, STUDIOS)
If you’re writing classic rock or want to emulate a session recording, these reverbs are the way to do it. We captured the impulse responses of a plethora of classic plates and studios perfect for creating just the right amount of ambience--not too much, but you would miss it if taken out of the mix.

EFFECTS
(DIGITAL, TANKS)
A sound designer’s paradise: this is an excellent way to force your sounds through unrealistic and eerie metals and digital environments and heavily morph the final result. The result can be a bit unpredictable--but sometimes it pays to take a chance.

INDIVIDUAL
(INSTRUMENT SPECIFIC TOUR, SOLO VOCAL)
A collection of reverbs tailored specially to some of the most common instruments available, including pianos, strings, vocals, and synths. When you want a quick way to create the perfect ambience for a specific instrument, try looking here first!

SAME REVOLUTIONARY RECORDING TECHNIQUES
The same revolutionary impulse recording techniques that made SPACES I so popular have been replicated in this new collection. The best gear from Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, and TG were used in each recording. ATC Monitors were used in each space to emulate the real-world sound projection properties of various instruments. Spaces II includes a very hi-resolution, True Stereo engine that focuses on delivering the very best sound at a very low CPU load. Most impulses are in 8 channel format, so surround mixes can be created.

Below are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.

MINIMUM SYSTEM

CPU: Quad-core (four cores), running at 2.7 GHz (or above)
RAM: 16 GB
OS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers
Drive: HDD (7200 rpm, non-energy saving)

RECOMMENDED SYSTEM

CPU: Octa-core (eight cores), running at 2.7 GHz (or above)
RAM: 32 GB or more
OS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers
Drive: SSD (SATA or PCIe)

iLok required for serial protection