Loot Audio

Love Synthesizers

Love Synthesizers First Love | 4-Part Multitimbral Polyphonic FM Synthesizer

Coming Soon! The hotly anticipated First Love is in the final stages of production and expected to land in the UK in September. Stock will be limited! Secure your order from the first batch today. Take the absolute fear out of frequency modulation. Handcrafted and conceptualized in Iceland, the Love Synthesizers First Love is a groundbreaking standalone, 4-part multitimbral polyphonic FM synthesizer that completely redefines the relationship between musicians and digital synthesis. Built to shatter the sterile, menu-heavy barriers historically tied to vintage DX7-style architectures, First Love introduces a colorful, deeply interactive user experience centered around an expansive 7-inch animated graphics touchscreen. Here, patching is tactile: to create frequency modulation, you simply swipe one oscillator operator straight into another with your finger. Beneath its playful, portable enclosure—accented by striking physical hardware encoders engraved with the letters L-O-V-E—lies a powerhouse digital sound generator. First Love runs four completely independent 4-operator FM engines simultaneously. Each operator behaves far beyond a standard basic sinewave, routing signals through an integrated dynamic wavefolder and a unique sine-to-square shaper before cross-modulating. This unlocks seamless transitions from buttery, fundamental acoustic timbres into glassy digital strings, additive organ stacks, and tearing industrial grit. Beyond sound creation, First Love is a self-contained composition ecosystem. It houses an advanced 4x4 live audio/MIDI looper that enables real-time overdubbing, merging, and linear structural arranging on the fly. Performance workflows are elevated by a complex "Riff Arpeggiator" that strings customizable note-and-silence paths together, alongside a microtonal tuner backing up to 256 custom scales. Powered via USB-C or internal lithium batteries and equipped with built-in stereo monitoring speakers, the First Love allows you to sketch complex multi-track electronic pieces anywhere inspiration strikes. Blip Expert Take First Love is the absolute antidote to the "anti-FM" bias. For decades, musicians have loved the metallic, organic, and hyper-expressive sounds of FM synthesis, but hated the clinical, calculator-style programming workflow. Love Synthesizers fixed this by turning modulation paths into a visual drawing pad. What blew us away at Superbooth 2026 is "The Playground" mode. It functions as a complete interface builder where you can group your four internal multitimbral tracks into interactive performance blocks of chords, riffs, and microtonal scales, using the velocity-sensitive pads to trigger arrangements. Adding wavefolding directly inside the operator block gives it a distinct West Coast grit that standard digital synths rarely touch. It feels less like operating a computer and more like playing an instruments. Who Is This For? Portable Producers & Live Jammers: Artists who want a standalone, backpack-friendly groovebox with battery power and built-in speakers to compose intricate multi-part electronic tracks completely away from a laptop. FM Sound Design Explorers: Synthesists who want the limitless acoustic power of multi-operator FM and wave-morphing envelopes, but want a visual touchscreen workflow that favors happy accidents.

£539.00

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Neuzeit Instruments

Neuzeit Instruments Drop | Snapshot-Based MIDI Control Center

Blip Says The Neuzeit Instruments Drop is the ultimate live performance brain for complex hardware rigs. Anyone who performs dawless sets with a mix of synthesizers, grooveboxes, and drum machines knows the exact moment panic sets in: you are building a massive tension ramp, twisting filters on three different machines, maxing out your effects, and suddenly you have to reset a dozen parameters back to baseline exactly on the downbeat. The Drop solves this elegantly without ever needing a computer. It provides an ultra-premium desktop layout of 32 push encoders, 8 faders, and 8 mutes across multiple layers, allowing you to capture the entire state of your studio as a "snapshot." Thanks to its integrated master clock, you can pre-schedule a snapshot to trigger automatically at the exact end of a 1-to-32 bar cycle. You can go completely wild mangling your gear during a build-up, knowing that the Drop will instantly and flawlessly snap all your hardware back to solid ground right on the beat. Drop is a Snapshot-based MIDI control center, the 'brain' of any live setup. With Drop, it's possible to map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously. A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground. Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening.If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure. Features: Connect all your live performance gear to one master controller 20 banks with 20 snapshots to store the state of all controls on-the-fly 2 x MIDI USB-C port, automatic device or host detection 4 x MIDI In and 4 x MIDI Out via TRS, type A and B support 2 x CV-In and 2 x CV-Out for clocks and control signals Macro mappings, up to 8 MIDI targets and individual curves per control Merge incoming MIDI (e.g. from a sequencer) with Drop‘s MIDI out MIDI clock in/out with individual millisec delays to perfectly sync all gear 32 encoders (no detents, with push), 8 mutes, 8 faders, 2 layers A/B CCs, Notes, 14-bit CCs, program+bank change, Aftertouch, Pitchbend Ableton clip launcher (script available) and note keyboard mode Fast and intuitive mapping on the device itself - no external software Powered through USB-C or external power supply (included) Solid metal chassis, metal shaft encoders, built to last Scope of delivery: Drop Controller USB-C to USB-C cable USB-C to USB-A female adapter MIDI TRS male to DIN female adapter Two MIDI TRS cables with 3.5 mm jacks, black-gold fabric sheathing and a length of 125 cm. External power supply: 12V, 1.5A, incl. adapter for EU, US, UK and AU/CN. Note: The controller can also be powered via USB-C exclusively. However, using the power supply leaves two USB-C ports free. This allows to supply other USB-devices with power. The Brain of Your Live Rig The Neuzeit Instruments Drop is a high-performance MIDI control center built for the stage. It moves beyond simple control by allowing you to capture the state of your entire studio—every knob, fader, and button—as a "snapshot". During a performance, you can recall these states instantly or use the unique Drop Mode to schedule transitions. Using its internal master clock, Drop can fire a snapshot precisely at the end of a musical cycle (1–32 bars), letting you focus on the build-up while the hardware handles the transition. With a rugged metal chassis and 32 high-quality push-encoders, Drop is designed to centralize your workflow. It acts as a bridge for all your gear, featuring extensive connectivity for USB, TRS MIDI, and even CV-based modular systems. Whether you are performing a DAWless set or managing a complex Ableton session, Drop provides the stability and tactile feedback needed to execute professional electronic performances with confidence. Drop Snapshots The Drop acts as the central brain for your entire live rig. It allows you to store the state of all your connected MIDI gear into Snapshots (20 banks of 20 snapshots each). Store & Recall: You can map up to 32 encoders and 8 faders to different MIDI targets across all your synths and drum machines. Once you have a perfect "state" (e.g., specific filter cutoffs, effect levels, and synth parameters), you save it as a Snapshot. JUMP Mode: Instantly trigger a snapshot to snap all connected gear to those exact positions immediately. DROP Mode (The Big Feature): This is for building tension. You can "go crazy" on your effects and filters to build a riser, then schedule a snapshot to trigger precisely at the end of a cycle (e.g., 8 or 16 bars). The Drop counts down and automatically "drops" all your settings back to solid ground exactly on the beat. Quantized Transitions: Snapshots can have variable fade times and can be quantized, allowing multiple controllers to move simultaneously and smoothly over a set period, creating automated, complex transitions across multiple devices with one press. CHAIN Mode: You can even sequence these snapshots into a "Chain" that follows your song arrangement, triggering them sequentially as your set progresses. View Drop User Guide PDF

£689.00

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OXI Instruments

OXI One MKII

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. The OXI One is more than a sequencer; it’s a compositional partner. Designed to sit at the center of a hybrid setup, the OXI One bridges the gap between your modular rack, your hardware synths, and your DAW. With a suite of "intelligent" generative modes (Stochastic, Matriceal, and Chord), it allows you to build complex, evolving arrangements that feel alive. Whether you are performing live or searching for new melodic ideas in the studio, the OXI One provides the surgical precision and creative unpredictability you need OXI One MKII - Creativity at the Speed of Inspiration The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We’ve integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today. More is MORE The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. Melodic and Rhythmic Master Sequencer Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front. With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Endless Tools for Creativity Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. A Performance Sequencer and a Studio Brain More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner. A Natural Evolution While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE—now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer. What's New in MKII? 8 Powerful Sequencers with Up to 64 Tracks Each Perfect for complex compositions, big setups, modular setups, or full track creation—ideal for both studio producers and live performers. Streamlined Workflow with Dedicated Backlit Function Buttons Enhanced interface allows for faster access to essential functions and real-time control during live sets. New Performance Mode for Live and Studio Use Designed to maximize expressiveness and flexibility in live performance and hands-on composition sessions. Unique Accumulator and Repeat Engines Innovative tools to build evolving patterns, layered textures, and complex rhythmic variations. Custom Groove Engine Create, import, and share user-defined groove templates to apply advanced timing variations and rhythmic customization across your sequences. FLOW Performance Layer Add dynamic variations and real-time modulation for live expression without disrupting the sequence. 8 Independent Modulation Lanes per Sequencer Extensive modulation capabilities for controlling parameters like pitch, filter, gate, velocity, and more. 16 LFOs – Two Per Sequencer Full-featured low-frequency oscillators for advanced modulation and movement across your tracks. Advanced Generative Tools Built-in generative features including note and step re-arranging, and Euclidean rhythms for creative sequencing. Intuitive Chord Mode with Smart Chord Selection Effortlessly build harmonies, progressions, and chord-based sequencing with scale awareness and intelligent suggestions. Improved Arranger Mode Design complex song structures with sections, transitions, and looped patterns—all with drag-and-drop ease. Instant Project Loading Instantly switch between 20 projects saved in internal memory—perfect for quick live set changes. Expandable SD Card Storage Store unlimited projects, grooves, custom scales, and user presets on SD card for complete flexibility. Custom Scales Supports user created scales. Extensive Instruments Database + Custom Instrument Definitions Includes preloaded and user-defined instrument mappings for seamless control of external gear. Enhanced Logic Conditions Set per-step conditions for evolving sequences, variation control, and live performance dynamics. New OXI App Integration Manage projects, update firmware, sync data with the new OXI ONE companion app, supporting both the new MKII and the OG OXI ONE. Larger OLED Display High-contrast, expanded screen for better visibility and data display during both composition and performance. Battery Powered Up to 8 hours of battery - essential for portable setups. Massive MIDI Connectivity – Up to 6 MIDI Ports & 96 Channels Use the OXI Split V2 expander to connect and control all your MIDI gear in the studio or on stage. 2 CV Inputs for Modular Integration Seamlessly connect modular synths, CV sources, or other analog gear for full hybrid setups. OXI One MKII features Versatile Sequencing With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market. Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential. Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions. Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing. Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation. Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control. Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility. Dive into Harmony with Chord Mode Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types, voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving. The Screen 4 Knobs For Total Control Of Any Parameter. All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined. The Grid Take full control of your music with customizable RGB pads for instant visual feedback, multitouch editing for effortless sequencing, and an X-Y grid for dynamic pattern control. Enjoy a fast, intuitive workflow with real-time micro offsets, quantized or freeform recording, and a fully featured Keyboard Mode with our classic and isomorphic layouts. Shape your sound with pitch, modulation, and velocity controls, explore new scales with color-based note filtering, and push creativity further with a 15+ mode arpeggiator and deep internal/CV modulation options. Modifiers, Logic, Modulation, Generative The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions into intricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitive variation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broader range of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music. Ultimate Connectivity OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear—so nothing gets left behind. DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXI ONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phone and use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII. Built to Last OXI ONE MKII is built for durability and performance, using premium components, advanced technology, and rugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminium unibody, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

£790.00

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Polyend

Polyend Mess

The Polyend MESS Multi FX Step Sequencer is a groundbreaking effects processor that fuses a powerful four-track step sequencer with a vast palette of 125 stereo effects, all delivered with Polyend’s unmistakable style. Whether you’re searching for lush ambient textures, intricate glitch sequences, or simply want to build your dream pedalboard chain, MESS offers an inspiring playground for sonic experimentation. With its intuitive workflow, hands-on controls, and deep sequencing abilities, MESS transforms how you interact with effects, unlocking dynamic movement, evolving soundscapes, and spontaneous ideas at your fingertips. At its core, MESS provides four fully customizable effect tracks, each capable of hosting any effect in any order, letting you craft unique multi-effects chains that move in sync or drift apart. With a massive library of reverbs, delays, modulation, granular, glitch, shapers, filters, pitch, and slicing effects, the creative potential is virtually limitless. The integrated sequencer brings Polyend’s renowned rhythmic prowess to effects processing, enabling per-track sequencing with polyrhythmic and polymetric patterns, chance controls, and dynamic parameter changes for ever-evolving textures. MESS is equally at home as a traditional pedalboard replacement or an avant-garde sound design tool. Whether you’re a guitarist looking to push your pedalboard to new heights, an electronic musician seeking generative effects, or a sound designer craving experimental textures, MESS delivers. Ready-to-play presets, flexible connectivity, and a robust build make it an inspiring addition to any studio or live rig. Multi-Track FX Architecture Combine up to four different effects per preset, with complete flexibility on effect order and type. Stack reverbs, delays, bitcrushers, granular processors, and more to create multi-layered soundscapes or tightly focused effect chains. Each effect track is fully independent and sequenced, offering a vast range of creative possibilities for any instrument or audio source. 125 Studio-Grade Stereo Effects Dive into a collection of over 120 effects, including classic reverbs and delays, spectral processors, granular and glitch modules, shapers, pitch shifting, slicing, and more. Every effect features detailed parameter controls, making it easy to fine-tune your sound or unleash unpredictable textures with the turn of a knob. Powerful Step Sequencer Polyend’s step sequencer lets you animate every effect parameter, track, and preset with per-track rate, length, and chance options. Create polyrhythmic and polymetric sequences, generate evolving textures, and introduce randomness and generative elements for effects that never repeat. The sequencer can be instantly activated for live manipulation or bypassed for static effect chains. Instant Creativity & Intuitive Workflow MESS boasts a one-knob-per-function interface and a clear visual grid, making custom patch creation and live experimentation fast and inspiring. With 150 factory presets and 1000 user slots, you’re never far from finding your next great sound. Its compact, robust form and comprehensive connectivity ensure seamless integration with guitars, synths, drum machines, or DAW-less setups.

£509.00

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Torso Electronics

Torso Electronics S4 Sampler | Sculpting Desktop Granular Engine

Blip Says The Torso Electronics S4 Sampler reimagines sample manipulation as a physical, fluid painting canvas. Rather than just playing back static audio files, this 4-track sculpting sampler fractures audio into micro-scopic grains, allowing you to morph standard field recordings or synth loops into endless, cinematic ambient clouds. Its real-time tape warble emulation and interactive modulation grid make it feel less like a computer-in-a-box and more like an instrument that actively collaborates with your creative choices. Who Is This For? Ambient & Lo-Fi Artists: Producers searching for a dedicated, screen-free hardware workflow to design deep, evolving soundscapes and dusty tape loops. Live Improvisers: Musicians who want to capture external instrument inputs on the fly and instantly shatter them into granular textures during a live set. The S4 is a stereo granular sampler and performance instrument designed for sound explorers, experimental producers, and live performers. With a hands-on interface, rich signal chain, and deep modulation system, the S4 invites you to sculpt, mangle, and reimagine sound in real time. The S4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer. Tape machine Capture your surroundings. Use S4 as a transformative four-track tape machine. Effect processor Manipulate live audio, and add color and textures to your beats, melodies, and sounds Midi controlled sampler Hook up a MIDI keyboard or sequencer and use S4 as a powerful textural synthesizer and sample player. Material Play samples from internal memory, record live audio, overdub, or process external sources. Includes an 8-voice polyphonic sampler controllable with MIDI. Granular Sculpt grains with contour, size, and pitch controls using a 4-second audio buffer. Create anything from ambient clouds to glitchy, rhythmic clusters. Filter Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions. Color Add grit, warmth, or chaos with dual-band distortion, bit reduction, compression, and a built-in noise generator – perfect for both subtle coloring and full-on destruction. Audio engine Push the creative boundaries and transform audio into uncharted depths. S4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds. Together, the devices form a playful toolbox for sculpting sample material and live audio.

£719.00

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Endorphines

Endorphin.es Evil Pet | Stereo Granular Processor & Sampler

Blip Says Dressed in a cozy, glossy hot-pink finish and adorned with incredibly satisfying mechanical keyswitches, the Endorphin.es Evil Pet Pedal looks like a toy but behaves like a nuclear sound-design station. Functioning somewhere between a granular synthesizer, a micro-reel-to-reel style tape loop recorder, and a real-time live performance effects processor, it bites incoming audio into minuscule grains to stretch, shrink, flip, scatter, and reshape them into otherworldly sonic textures. What makes the Evil Pet truly magical is its radical open-source audio harvesting architecture. You aren't limited to traditional 1/4" stereo line inputs. You can ingest audio directly via the front-panel microSD card slot, record voice notes on the fly using its built-in microphone, or catch localized cultural vibrations by tuning its internal FM radio receiver to capture random music and spoken-word static as raw sound design clay. With full MIDI/MPE implementation, a crisp 2.42" monochrome OLED display, and true-stereo electromechanical relay tracking, it represents an addictive, screen-free shift in creative perspective. EVIL PET can be used as a polyphonic synthesizer, granular effects unit, FM radio tuner, tape recorder and much more. It converts incoming audio signals into tiny grains and plays them back in new, creative, or surprising ways. Transform the grains by stretching, shrinking, or rotating them to create unique sounds, textures, and effects. Layer grains to create dreamy, glitchy, or swirling sounds. The device works with any input—guitar, voice, synthesizer, or drums—and transforms ordinary sounds into something entirely new. The input signal can come from the rear inputs, the built-in microphone, the integrated FM tuner, or from samples on the microSD card. The grains can be triggered by the mechanical PLAY button or played polyphonically eight-voice via a connected MIDI or MPE keyboard. Endorphin.es Evil Pet Characteristics: Polyphonic synthesizer/granular effect and more Direct control of granular synthesis parameters Integrated saturator with various modes Selectable filter 16 different reverbs LFO with various waveforms Integrated microphone for direct recording FM radio for sampling Reel-to-Reel Recorder Mode Micro SD card slot mechanical keys 2.42-inch monochrome OLED screen Power supply included. Endorphin.es Evil Pet Connections: Stereo inputs and outputs ¼-inch TS unbalanced 5-DIN MIDI input and output Expression pedal input 3.5 mm headphone output 9V power supply The Playful Sound Shredder Don’t let the glossy pink chassis and tactile mechanical keys fool you—the Evil Pet is a powerful sonic architect. This compact desktop unit "bites" incoming audio into microscopic grains, allowing you to stretch, flip, and layer them into everything from shimmering ambient clouds to rhythmic glitch fragments. At Blip, we love the "sample anything" philosophy behind this machine. Whether you're feeding it via the built-in condenser mic, the onboard FM radio tuner, or the stereo line inputs, the Evil Pet turns everyday audio into extraordinary textures. What's in the Box? Endorphin.es Evil Pet Unit Foldable FM Radio Antenna Universal 12V DC Power Adapter (US/EU/UK/AU plugs) MicroSD Card with Adapter

£413.00

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Landscape

Landscape HC-TT – Motorless Lo-Fi Tape Scraper, Scratcher & CV Control

The HC-TT is a compact cassette manipulation device which allows you to manually play and manipulate a cassette tape. Sound will only be produced while your hands are turning either of the large playback knobs, resulting in rich, unstable low-fi textures. By turning these knobs, you are directly rotating the cassette spindles which moves the tape across the internal tape head. The knobs “play” a regular cassette forwards and backwards. The results are reminiscent of scratching a vinyl record, or of the satisfying, sludgy sounds of slow tape. There’s no motor in this device, so direction and speed is left to the performer. The illuminated touch switch is a momentary mute for both the mono audio output and the CV/Gate outputs. The Arches and Moons touch plates allow for feedback and other strange interactions. This device does not record audio but only outputs pre-recorded audio from any cassette tape. The HC-TT comes a power adapter, and with COUNTERCLOCKWISE, an open-source sample compilation cassette featuring various artists, produced by Landscape. What it can do “scratch” cassette tapes direct human-mechanical connection to playback speed, allowing for gestural responsiveness works with any cassette tape (but not with tape loops) create rhythmic effects by directionally tapping knobs or using the momentary mute access new creative possibilities for your old cassette collection How to use it POWER: Use a 9-12v regulated tip (+) power supply (like the one that comes with your unit; DC jack on the back edge). The HC-TT can also be powered with a 9v battery if you purchase a tip (+) 2.1mm plug to 9V battery adapter from your local electronics store. AUDIO OUTPUT: The main 1/4" mono output is on the left side panel (up arrow). Plug into a mixer, guitar pedal, etc. INSERT CASSETTE: Lift both playback knobs until they stop and hold them up with one hand. Slide your chosen tape gently into the cassette shaped opening with the exposed tape going in first. Let the knobs fall back down and seat fully into the cassette spindles (you will sometimes hear/feel them lock into place when fully seated). MOVE TAPE: Spin the Forwards or Backwards knob in the direction indicated by the knob’s arrow (larger left knob is forwards and right knob is backwards). There is no motor or automatic playback in this device. You are the motor. Only move one knob at a time, and only in the direction indicated. Otherwise, the tape will go slack and you may not hear sound. While turning the knobs in the right direction, you will feel the tension of the tape inside. Each knob should be turned by itself until you are able to get the feel of the taut tape which will then allow for responsive backwards and forwards scrubbing over the tape head, creating sounds similar to scratching vinyl. Two signs that you have reached the end of your tape include no longer hearing audio and/or resistance to spinning either knob. This indicates that it’s time to flip the cassette. If you were to force past the resistance felt at the end of the tape, you risk damaging or breaking the tape, so be careful. GAIN: The top right knob is gain. The gain control at its highest level can add a hint of coloration to the signal. At its lowest level it still allows cleaner audio and lower CV out when moving the tape. The gain is pre-CV/Gate, which means it can be used in tandem with the tone control to effect the CV/Gate envelope follower response. TONE: The top left knob is a lo-fi dirty Tone control, which cuts most bass content at its lowest level and boosts bass content at its highest. This control is pre-envelope follower (pre-CV/Gate) which means it will allow you to adjust your CV/Gate levels and response. You will hear scrubbing sounds when turning this knob and the audio will cut out due to its placement in the feedback path of the circuit. Turning the knob very quickly creates a bass drum like effect, and if you do this while holding the touch mute, the tone will change. Turning the knob quickly can be used to send out a Gate signal or to “mute” audio destructively. MOMENTARY MUTE: There is a Momentary Touch Mute for gating audio (tape or external) and/or CV/Gate outputs at the top left (sunset shape). When you touch, the audio will mute and the LED will turn off. CV/GATE OUTPUTS: 3.5mm CV and Gate outputs (Half Moon and Square, on the back side) allow you to use your chosen tape's audio content in combination with your playing style as a way to manipulate a modular synthesizer. To put it another way, the HC-TT is also a simple tape based "controller" or modulation source. Hand crank a sequencer using the gate output, or "scratch" a VCO with the CV output. TOUCHPOINTS: I/O Feedback Touch Points are indicated by arches and moons on the left side, allowing for touch sensitive analog feedback within the preamp (not to tape) when both are touched. The quality of this feedback is changed by how much skin touches each Point and the positions of the Tone and Gain controls. The feedback you create through your skin also outputs to CV/Gate. This feedback can distort and mangle your manipulated tape sound and incoming audio. By touching only the input pad (arches, on right) you will turn your body into an antenna injecting radio signals, hum or static to the audio and CV/Gate outputs (radio frequencies and results vary greatly by location). You can also use one hand on the input pad, and another hand hovering as a lo-fi “circuit sniffer” to listen to the sounds of laptops, cellphones and other equipment which output EMF. INPUT/OUTPUT: The main 1/4" mono output is on the left side panel (up arrow). There is a 1/4” mono input on the right side panel (down arrow), which allows you to use the HC-TT’s circuitry as a lo-fi overdrive and playable touch feedback processing device. The input does not record to tape. Instead, it goes through the pre-amp circuit (tone and gain) and into the envelope follower. The touch mute will also mute incoming audio. Tips & Tricks TAPE TIPS: Highly suggested tapes include: your favorite pop album, self-help tapes, books on tape, hypnosis recordings, mix-tapes, your least favorite pop album, classical music, sound effects, children's music, adults' music, lectures, sermons, film scores, dusty unmarked tapes, melted car tapes, 4 track tapes and also additional tapes. Experiment with a wide variety of audio to best understand how the HC-TT will interact with audio density, pitch, and texture. Tapes with high density of audio (metal, rock, gospel, orchestral, etc.) will generally not sound very interesting because of the lack of separation of elements. But music and recordings with greater detail, peaks/valleys and separation (voice, hip-hop, nature sounds, techno, etc.) will generally provide more varied results. Louder recordings will generally allow the greatest amount of clarity. Also note that very loud recordings will overdrive the internal preamp to a greater degree when the gain knob is fully clockwise. SCRATCHING: To effectively scrub or scratch cassette audio, it’s important to feel the tension of the tape when touching both knobs. After tension is felt, then each knob can be moved individually in the direction of the arrows while that tension is held by both hands, perhaps by gently pausing the movement of the opposite knob or by moving it in quick succession. The knobs can also be directionally tapped causing the tape to stutter along the tape head. MUTE EFFECTS: The momentary mute switch allows stuttering effects / rhythmic gating. FEEDBACK: While touching both touch points (arches + moons) and also introducing slight contact towards the sides of the touch mute switch you can change the character of the feedback to sound more liquid. By touching all three directly you will hear bee or mosquito like tonalities which will change depending on the amounts of skin in contact with each of the touch points. Changing the gain and tone knobs should also change these tonalities. STEREO FIELD PAIRING: You can connect and process the HC-TT with the Stereo Field without a cable. Just touch the output (Moons) on the HC-TT while turning either playback knob and also touching the surface of the Stereo Field. Search the surface of the Stereo Field to find inputs and of course create feedback, distortion and dirty filtering. Create feedback on both units and connect them together with your body to listen to them talk to each other. It will be hard to tell who is affecting who here. STABILITY: If you would like slightly less wow and flutter in your manual audio playback, try recording a cassette at a faster speed, if you have a tape recorder or 4 track with this option. This will mean you need to turn the knobs faster for normal playback which can sometimes provide greater stability. INTERFERENCE: Please note that certain electronic devices will create interference when near the HC-TT. It's recommended that devices such as phones, laptops, and ipads not be closer than 1-2 feet away. Or, it's recommended that these devices are moved very close to the HC-TT so that you can listen to the beautiful chatter of Wi-Fi, cellular space and glowing screens. For example, holding your phone in one hand, open your email and refresh to see if any new exciting emails have arrived. (Turn down your speakers!) Keep refreshing over and over while moving the phone over the top of the HC-TT. You can find sweet spots where the signal is very loud and detailed. Another example is to touch the trackpad (making pinching and unpinching motions) on your computer while also touching the moons touch point on the HC-TT. In this way, you can listen to the capacitive sensing of your computer’s trackpad. Strip away the motor, take literal hold of magnetic tape, and turn cassette archaeology into a physical, highly performative art form. The Landscape HC-TT (Human Controlled Tape Transport) is a completely unique, compact cassette manipulation instrument, lo-fi preamp, and modular CV controller that brings vinyl-style scratching, unstable pitch warbles, and dark tape rumbles into your production workflow. Strikingly constructed entirely out of stacked, heavy-duty 2mm immersion gold PCBs with a gorgeous moss-green finish and signature gold contact paths, the HC-TT contains absolutely no internal motors. Tape speed and direction are 100% dependent on your hands.

£339.00

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Intuitive Instruments

Intuitive Instruments EXQUIS Expressive MPE controller

Designed by the French company Intuitive Instruments, Exquis is an expressive MIDI controller. Using the MPE (MIDI Polyphonic Expression) protocol, it allows independent control over each key. Its hexagonal keyboard follows the dualo principle (a patented note layout that organizes harmonious notes next to one another) or any other customized note layout. Its backlit keys can display scales or any personalized display. Protective cover from Decksaver here: COVER Suitable for controlling softwares, MIDI synthesizers and modular synthesizers, Exquis is optimized for its own multi-platform application, which enables users to load their own sound plugins and create compositions using a multi-track looper/sequencer. Exquis was awarded MIDI innovation of the year 2023 at the MIDI Innovation Awards Exquis (pronounced hex-key) is an expressive MIDI controller with a hexagonal backlit keyboard. Compatible with all MIDI synthesizers, modular synthesizers, music software, and optimized for its dedicated app. Complementary and independent, the Exquis keyboard and app provide easy access to sound control and harmony, and propose an efficient workflow to create both live or in studio. Exquis is a concentration of innovations that are useful for musicians of all levels: ???? By default, Exquis's hexagonal matrix of keys puts notes that sound good together (thirds) next to one another: chords are built with ergonomic shapes, easy to play, learn and understand. ???? The backlit keys allow the player to display any musical scale (or any custom map), guiding the player on the right path. More than 350 scales are available! ???? The keys are independently velocity, pressure, and inclination-sensitive (MIDI Polyphonic Expression protocol) ; the silicone of the keys is both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. ???? The unique creative workflow (buttons on the keyboard + app) allows anyone to create a song in rhythm within minutes and very simple gestures : picking a sound, recording loops, and composing songs live or programming them in advance. Far more than a static pad grid, the EXQUIS functions as an incredibly responsive five-dimensional performance interface. Every single one of its 61 keys features full per-note MPE sensitivity, tracking initial strike velocity, continuous vertical pressure (Z-axis aftertouch), horizontal finger tilting (X-axis pitch bend), and vertical sliding (Y-axis brightness/timbre modulation) simultaneously. This acoustic-grade responsiveness allows you to bend individual notes inside a sustained chord, swell filters polyphonically, and introduce micro-timing humanization into software plugins and hardware synthesizers alike.

£249.00

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Erica Synths

Erica Synths Steampipe

The Steampipe is an 8-voice polyphonic synthesizer, but it has no conventional oscillators. Instead, it mimics the way sound is created in wind and string instruments and it is fine-tuned to create a wide range of sounds. The Steampipe is optimized for performance with wind MIDI controllers and it works great with any MIDI keyboard. The overtones the Steampipe produces are very organic and rich. It also comes with great-sounding presets.The Steampipe is quite versatile and allows for nuanced sonic exploration, conjuring sonic imagery ranging from from wisps of cloud to fairground band organs, then to industrial horns of the railroad and finally, to massive, otherworldly ambiences. Due to detailed controls over multiple physical modeling parameters, the Steampipe is capable of generating very organic emulations of real instruments, but it goes well beyond the conventional pitch and dynamic ranges they can produce – imagine how a flute or clarinet would sound in C1 or C7! The Breath of the Machine: Erica Synths Steampipe Physical Modeling Synthesizer The Erica Synths Steampipe is a rare beast in the hardware world: a dedicated 8-voice polyphonic synthesizer that completely abandons traditional oscillators. Developed in collaboration with 112dB, it uses advanced physical modeling to simulate the way sound is born in wind and string instruments. From delicate, ethereal flutes to brutal industrial horns and massive cinematic drones, the Steampipe is an instrument that feels alive. Why the Steampipe is a Game-Changer: No Oscillators, Pure Resonance: Sound begins in the Steam section (the exciter), where a noise generator mimics a musician's breath. It then travels to the Pipe (the resonator), a tuned delay line that emulates the body of an instrument. 8-Voice Polyphony: Unlike most physical modeling units which are monophonic, the Steampipe allows for rich chords and complex polyphonic textures that sound incredibly organic. MPE & Wind Controller Optimized: While it works with any MIDI keyboard, the Steampipe shines when used with MPE (MIDI Polyphonic Expression) or wind controllers, reacting with the nuance of an acoustic instrument. Tactile Modulation: With 32 adjustable parameters, 5 assignable LFOs, and a high-resolution display, you can dive deep into sound design without ever touching a computer. External Excitation: Use the External Audio Input to replace the internal noise burst. This allows you to "excite" the Pipe with your own samples or voice for unconventional, hybrid textures.

£859.00

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cyma forma

cyma forma RND | 4-Track Multi-Layer Random Synthesizer

One button, 4 billion ideas. RND synth is a collaboration between cyma forma and french artist Bambounou, built around a single idea: stop playing, start listening. Each musical idea is made of up to four instruments that can live together. Each one draws from one of eight synthesis engines and runs its own random musical sequence. Every time the button is pressed, all of the many parameters across all features are set to random values, giving birth to a synthesized idea that only exists until the next press of the button. Not presets, not samples, but an infinite source of sounds. Trade control for inspiration Beneath its minimalist, pocket-sized exterior rests an absolute beast of a multi-timbral digital audio core. Every time the button is struck, the RND randomly coordinates up to four simultaneous instruments per patch, assigning each one to its own independent sound-design loop, drone, or generative Euclidean sequence. The internal algorithms draw on eight separate, high-resolution synthesis topologies—including Subtractive, FM, Acid, Noise, Speech, Karplus-Strong, Supersaw, and Additive models—tuning them seamlessly across 20 onboard musical scales to ensure every single randomized seed remains fiercely cohesive, inspiring, and ready to record. Blip Expert Take The RND Synth is the ultimate antidote to staring blankly at an empty DAW timeline. It behaves like "doom scrolling" for modular-grade sounds and rhythmic motifs. Because it completely lacks an internal preset memory bank, it forces you into a high-focus sampling workflow—you either capture the lightning in a bottle on your recorder right then, or let it slip away forever. While the hardware chassis is beautifully minimal, its studio integration is an absolute masterclass in connectivity. The multi-channel USB-C audio stream splits all 4 generated layers completely separate into your computer before they hit the master reverb block. If it rolls a patch where track 1 is a heavy acid bassline and track 2 is an organic physical-modeling percussion pulse, you can track them onto separate channels in your DAW at the same time. Furthermore, its 9 distinct MIDI modes allow you to completely override the automated sequences using an external keyboard, turning this unpredictable generator into a playable, highly expressive multi-timbral desktop synthesizer voice. Who Is This For? Hardware Technologists & Producers: Electronic artists who want an instant, endlessly updating source of syncopated rhythms, unique timbres, and complex loops to lock to their studio master clock. Sampling & Sound Design Purists: Musicians looking to break out of predictable workflow loops who require raw, unquantized audio fragments to chop up inside a hardware sampler.

£149.00

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cyma forma

cyma forma ALT | Generative Analog Pin-Matrix Soundscape Synthesizer

Generative analog synth ALT is an analog synthesizer designed for drones, soundscapes, and complex generative melodies. It can be played precisely, with great control over melodies and rhythms, or it can be guided to play itself, creating magical, random surprises. It has eyes and ears: two light sensors and a built-in microphone that allow for spontaneous sound modulation based on its environment. ALT is an exploration machine. ALT has many sources: 5 oscillators, a white noise, a microphone… The oscillators have different shapes, different frequency ranges, they can be independently panned, and detuned and their frequencies can either be free, or follow one of 14 scales. All scales can be edited and notes can be removed and brought back quickly for modal changes on the fly. There are two tuning systems to chose from: equal temperament or just intonation. Give character to your sound ALT’ effect section includes two filters and a delay, which can also be used on external audio, like an effects pedal. Both filters are stereo, in series. They can be low-pass, high-pass, and everything in between, allowing for precise band-pass control. Their resonance can go to extreme levels, self oscillating, creating two extra voices. Filters have special performance buttons called ripples. The delay is very powerful, capable of creating an infinite feedback loop that never stops growing. It has a performance button too, called more, that is quite self explanatory. Initiate motion The modulation pin matrix is where the sound is set in motion. Create movement in 19 different parameters using 4 modulation sources. The sources are two LFOs, a sample and hold called Random and an enveloppe follower called Outline. The LFOs have a high rate switch for FM an AM synthesis. Outline is special, it can use the signal from the microphone, or the jack input (audio or CV), and use it to modulate anything. This allows you to sync ALT with its surroundings: your voice, claps, a drum machine, a cv sequencer… anything really. Amongst the matrix destinations is a strange arpeggiator that uses the modulation amplitude levels to trigger voices in different orders. ALT can be guided to play ever-evolving melodies and rhythms. All of this being controlled with pins. At the core of the ALT lies a unique 5-voice sound generation architecture paired with a tactile 5-key mechanical keyboard cluster and individual voice amplitude sliders. Pitch tracking is governed by a highly advanced Harmonic Quantizer featuring 14 distinct, fully customizable scale presets (ranging from Balinese Pelog to Hijaz) across both Equal Temperament and Just Intonation scales. To breathe fluid, unpredictable life into these oscillators, the center panel features a tactile 4x19 pin modulation matrix. Utilizing small 2mm banana pins, performers can route four complex modulation sources directly into 19 individual destinations, completely bypassing traditional patch cables for an immediate, touch-responsive signal patching flow.

£1,099.00

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Eowave

Eowave Quadrantid Swarm

Eowave Quadrantid Swarm Experimental Workstation The Quandrantid Swarm is a versatile and unique instrument for sound designers and musicians who want to explore exquisite and unknown timbres ranging from sophisticated to aggressive, nebulous to shimmering. It consists of a digital synthesizer voice with a percussive element, a two-pole analog filter, an LFO with eight waveforms, and a spring reverb. The eight touch buttons can be used as a mono keyboard, a polyphonic keyboard, or an 8-step sequencer. Communication with other instruments is via MIDI and CV/Trig inputs. Pre-patching allows you to start playing immediately, but you can and should use patch cables to fully unlock the instrument's potential. The Eowave Quadrantid Swarm is a hybrid desktop synthesizer designed for those who find inspiration in the unpredictable. At its core is a digital oscillator engine with eight distinct synthesis modes—ranging from crystalline strings and organs to gritty noise and chiptune textures. What sets the Swarm apart is its "Spread" control, which can multiply the waveform into a dense cluster of eight oscillators for massive, swarming sonic landscapes. The signal then flows through a characterful dual analog filter (inspired by Eowave’s Fluctuations Magnétiques) and a genuine, built-in spring reverb that adds physical depth and vintage grit. With its touch-capacitive interface, the Swarm can be played as a monophonic or polyphonic instrument, or used as an eight-step sequencer. Whether you are patching it into a Eurorack system or using it as a standalone performance tool, the Quadrantid Swarm excels at creating the kind of "organic" electronic textures that feel alive. 8-Mode Digital Engine: Includes specialized algorithms for Organ, Strings, Drone, Noise, Grains, Percussion, Metal, and Chiptune. Dual 12dB Analog Filters: Two serial filters for deep sculpting; Filter 1 is switchable (LP/HP) while Filter 2 is a dedicated Low Pass. Physical Spring Reverb: A real internal spring tank that provides a unique, tactile resonance you won't find in digital emulations. Percussive Element: Features an additional percussion voice tuned to the main oscillator frequency for rhythmically linked timbres. Semi-Modular Logic: Pre-patched for immediate playability, with a wealth of CV/Gate I/O for integration with modular rigs or external gear.

£519.00

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Erica Synths

Erica Synths Nightverb

A stereo reverb with a unique and musical algorithm developed by 112db, save/recall functions for all parameters, all in sleek aluminum case to aesthetically match our lineup of compact desktop units. DECKSAVER cover available here: COVER Erica Synths Nightverb Features A unique, very musical stereo reverb algorithm by 112dB Erica Synths custom DSP engine 12 parameters for detailed reverb design All parameters are MIDI CC controllable 2-way MIDI communication (parameters can also transmit MIDI CC messages) Freeze function with chromatic tuning – playable via MIDI notes (MIDI keyboard) A configurable footswitch input 30 factory presets and 70 user preset slots Preset export via USB Dimensions: 23cm x 14,5cm x 7cm (including knobs) Weight: 833g We focused on the musical aspect of the effect – extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

£479.00

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Analogue Solutions

Analogue Solutions Filtopia | Limited Edition Parallel 5-Filter Analogue Monosynth

Limited to 200 units worldwide! Pre-order now to secure your order Filtopia is expected to be available in August Analogue Solutions once again proves that analog synthesizers don't have to follow convention. The new Filtopia combines classic subtractive synthesis with a truly distinctive architecture: five parallel analog multimode filters form the core of the instrument, unlocking sonic possibilities that go far beyond traditional filter sweeps. Rather than modulating a single filter, Filtopia allows all five filters to operate simultaneously, each with its own cutoff, resonance, and modulation settings. The result is exceptionally wide multi-band sweeps, intricate resonance textures, and organic formant and vocal-like sounds more commonly associated with dedicated filter banks or modular systems than with conventional monosynths. This innovative filter architecture makes Filtopia a powerful instrument for creative sound design. Despite its experimental concept, Filtopia features a fully analog signal path. Three analog VCOs, two sub-oscillators, two LFOs, three ADSR envelope generators, two VCAs (including one with integrated echo), an 8-step sequencer, and extensive CV patch points allow it to function equally well as a classic lead and bass synthesizer or as a semi-modular sound design laboratory. An external audio input also enables drum machines, grooveboxes, software synths, and other audio sources to be processed through the unique five-filter section, adding unmistakable analog character to virtually any signal. As with all Analogue Solutions instruments, designer Tom Carpenter relies on traditional analog circuitry inspired by classic 1970s synthesizer designs. The complete audio and modulation path remains fully analog, while only the MIDI-to-CV conversion and sequencer control are digitally implemented. Filtopia is designed and handcrafted in the United Kingdom. Limited to just 200 units worldwide, Filtopia is aimed at musicians, sound designers, and collectors seeking an extraordinary boutique analog instrument with truly exclusive character. Unique five-filter architecture with five parallel analog multimode filters Formant, vocal, and multi-band filtering effects without requiring a modular system Fully analog signal path for authentic vintage analog tone Functions as a synthesizer, effects processor, and semi-modular sound design tool Extensive CV patching with Eurorack compatibility Limited boutique production of only 200 units worldwide

£2,159.00

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Finegear

Finegear The Dirt Magnet Cassette Tape Delay & Multi-FX

Analog effects, tweaked for creative misuse. The Dirt Magnet is the second installment of the Arkive_Effects_ series, bringing a new collection of classic sounding effects, extended with exciting expression and modulation possibilities. Just as before, each module has been analyzed and tweaked for creative misuse. The Dirt Magnet contains two VC LFOs, a noise generator with a Band-Pass filter, a crackle generator with a High-Pass filter, a ring modulator, a VCF and a real-life cassette-tape Delay. You can use and abuse any and/or all of the effects to add noise or crackle to your sounds, ring modulate them, filter them, or delay them using the two-tap tape Delay. Any chaining combination is possible, as this collection of sound generators and analog effects comes with independent inputs and outputs. Using the two included LFOs or the modulation source of your choice (or both!) you can also modulate the noise generator’s filter, the crackle generator’s density, the filter, as well as the speed and feedback of the tape delay. The LFOs themselves are digital, allowing a wider frequency range, more waveform shapes, as well as MIDI syncing. The magic grunge of The Dirt Magnet sticks to the hypnotizing cassette-tape and is ready to transform your sounds into grainy, warbled and modulated soundscapes. Pretty is overrated! In our search for unique sounds and new uses for classic effects, we devised The Dirt Magnet as a playground for raw & expressive sonic explorations. Modulate the dirt Building up on the Arkive_Effects_ principle of opening up effects you thought you knew, The Dirt Magnet has the same appetite for modulation as The Dust Collector…if not bigger! This time, *all* of the effects have been opened up by adding CV modulation for the relevant parameters, thus bringing these apparently simple effects to a new playground.Check this out: LFOs. Two CV outputs, one inverted output as well as a CV input for speed control, and one for symmetry modulation Noise. CV-modulated Level and Frequency & Band-width for the Band Pass Filter. Crackle. CV-adjustable Density and Level Ring Modulator. CV-modulated Carrier VCF. CV-modulated Cut-off Tape Delay. CV-modulated Speed &Feedback. Bi-colour LEDs to help you visualize modulation, as usual.

£1,239.00

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