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Adaptive-Q EQ, compressor/limiter, expander/gate.
$34.99
Earn 78
The G-Channel models the SSL G-series’ newer VCAs, Class A operation, distinctive EQ curves, program-dependent dynamics—and even the noise and THD inherent in analog’s character, which you can turn on or off.
The G’s adaptive-Q design, with wider bandwidth at lower gains, encouraged a more delicate approach to EQ—yet turning up the gain narrows the Q when you need a forward, punchy EQ sound. Unlike standard designs, the shelving EQ stages have slight overshoot bumps at the shelving frequency. This gives warmer lows, as well as more high-frequency definition by giving a lift just above the midrange area.
The high mid parametric’s HMFx3 button multiplies the frequency by 3, while the low mid parametric’s LMF÷3 button divides the frequency by 3. These options change the parametric stage’s character dramatically.
Tailor sounds going into dynamics, or process the post-dynamics tone, by placing the smooth, natural-sounding compressor/limiter and expander/gate before or after filter and EQ, or between them.
Reduce resonances, de-ess, maintain sparkle when compressing, keep basses full, and more—SSL augmented the sidechain process by allowing the filters, EQ, or filters and EQ, to process the sidechain signal.
115 presets from acclaimed producers and engineers like Chris Lord-Alge, Greg Wells, and Steve Lillywhite showcase the G-series’ effectiveness in a wide variety of applications.