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Awe-inspiring atmospheres — transformed through spatial technology.
$29.00
Earn 87
Housed within the legendary Funkhaus, Berlin, this new state of the art spatial sound studio and performance space, MONOM, offers a 4D Sound System — 48 omnidirectional speakers suspended throughout the venue, extending to nine powerful subs submerged beneath an acoustically transparent floor. The perfect location to create our epic spatial signal, this treatment transforms how the sounds behave in space, adding dimension and depth to create dynamic shifting sonic landscapes that subvert the laws of perception. This signal has been mapped across the modwheel so users can fade and blend between the different emotional layers.
Speculative Memories is inspired by the rich sound design and experimental double bass playing in Glotman’s most recent homonymous album, combining his classical training as a double bassist alongside his studies in electroacoustic composition to create textural and spatial works. Subverting traditional methods of sound curation, Glotman called on specific creative voices to collaborate with;
"It was important for me to work with people I’m close to and create collaboratively, leading to very interesting instrumentation and orchestration. Bringing in a range of creative voices meant I had to lose control… it was a very freeing process."
This unique collection of instruments captures an evolving post-classical community, focusing more on experimental sources and playing with space. From unique double bass techniques, vocal and guitar performances to modular synth sounds from the Buchla 200e, custom textural tape loops and sophisticated processing techniques — these expansive industrial, dystopian soundscapes are designed to inspire contemporary cinematic scoring, ambient music, and anyone looking to create deeply atmospheric textures.
Following several film scores and album releases, Glotman now returns with his most personal and unique album yet — Speculative Memories. The inspiration behind the sample library and the record comes from the notion that memories are a dynamic, ever-evolving piece of material, shaped by time and perspective. Glotman explains, “Memories are elastic forms that change over time and with perspective. The memory’s essence shifts when you revisit them, with endless opportunities for interpretation.”
Rather than looking back at a memory by a series of events, Glotman began to immerse himself in the abstract feelings attached to these moments, triggered by elements such as taste, smell and sound, influenced by time, perspective, relationships and lived experiences. From this idea, Glotman began to create entire worlds, moods and mindsets for each individual track, made from one small moment in time.
Yair Elazar Glotman (pronounced “Ya-eer El-azar Glotman”) is a Berlin-based composer and experimental sound artist. Having trained in classical double bass and electroacoustic composition, he uses these traditions in combination with improvisation, with particular focus on analogue processes, to create unique textural and spatial works.
In recent years, Glotman has been known for his notable pieces in film and media composition, working as co-composer with influential late composer Jóhann Jóhannsonn on acclaimed titles such as Mandy (2018) and Last and First Men (2019), as well as performing double bass on Joker (2019), Raised by Wolves (2019) and False Positive (2021). He has also collaborated with composers Hildur Guðnadóttir, Ben Frost, Chris Clark, Geoff Barrow & Ben Salisbury, Dustin O'Halloran and Hauschka.
In addition to film and TV, he has composed for dance performances and Opera, most notably designing the Soundtrack for the Royal Opera House in London’s production “Mamzer” (2018) by Na'ama Zisser.
Beyond his work in film and media, Glotman is a celebrated recording artist in his own right, venturing into dark corners of ambient drone and post-classical with acclaimed albums such as his 2020 album Emanate via Fat Cat’s imprint 13070, 2017 album Negative Chambers with close collaborator Mats Erlandsson via Miasmah Recordings, and his solo album Études released in 2015, receiving high acclaim from Pitchfork, BBC 6 Music, The Quietus, Uncut and more.
