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Seismic orchestral low end.
$99.00
Earn 297
A notable list of features to extend the playability and natural realism of this sample library
Useful when playing in rolls and hits as part of a passage, and wants to trigger rolls sympathetically and intuitively to the dynamic of the hits being played quickly without having to set the position of the modwheel (whilst also having the option to crescendo/diminuendo if desired). Having the rolls velocity sensitive is great for triggering short rolls to portray drags, flourishes and pickups etc. as part of longer rhythmic passages when physically playing on the keyboard.
Most of the drums in High Percussion have been recorded with both right and left hand sticking. How much difference does this actually make? Some drums and beater types do have a distinct timbral difference between the two hands which contributes to the feel and realism especially when programming or playing true-to-life rudiments.
This duplicates the main original mapping blocks to a higher octave, allowing you to play using two hands (spacing the keys out further to feel more like actually playing a drum).
NOTE: Two handed layout is not available on ‘All in One’ techniques.
Playing a hit when a roll key is held will choke the roll. This allows for very tight roll ends to be played in using a single hit.
A vintage concert bass drum with a single 32” head on a shallow open shell. This drum
combines a defined attack, woody overtones and balanced resonance.
Wooden drum sticks producing a hard and immediate attack with a powerful tone
Hard felt mallets producing a strong attack and a balanced tone
Hard felt mallets with cloth placed over the drum head, producing a muted sound
Medium felt mallet with a less immediate attack, revealing clear undertones
Fine metal brushes for a more delicate timbre
Wooden rods producing an articulate sound with reduced resonance
All available beaters and techniques for the Bass Drum presented across the keyboard
An orchestral staple, this 36” gran cassa is a two-headed concert bass drum with huge dynamic range and a very deep, complex sustain.
Wooden drum sticks producing a hard and immediate attack with a powerful tone
Defined attack and a balanced tone
A less immediate attack revealing clear undertones
Plastic/poly beater to create a narrower sound with less low frequency information
An extremely mellow attack and a boomy resonance
Fine metal brushes for a more delicate timbre
Wooden rute, creating an intricate and earthy high pitched 'tap'
All available beaters and techniques for the Gran Cassa presented across the keyboard
An Argentinian bass drum with a 20" hide head tuned with rope. It produces a low, organic sound with a very short sustain.
Hard felt mallet producing a defined attack
Hard felt mallet with a cloth placed over the drum head to produce a muted sound
Soft felt mallet producing a rounded attack
Soft felt mallet and a cloth placed over the drum head to produce a muted sound
Performances with wooden sticks on the sides of the drum
All available beaters and techniques for the Bombo presented across the keyboard
Constructed from a shallow wooden frame clad with a 22” buffalo skin head, this drum produces strong overtones with a rich, blooming sustain.
Producing an articulate attack
Producing a rounded attack
All available beaters and techniques for the Buffalo Drum presented across the keyboard
A two-headed drum from the Indian subcontinent. Each head is struck with a different beater to produce the dhol's signature tones, typical in Bhangra and other Indian genres.
Traditional wooden dagga and tihli sticks
A pair of djuns (dundun) hailing from West Africa, these instruments are adept at carrying strong rhythms with a balanced, 'forward' tone.
Producing a defined attack with a balanced tone
Originating from China, thIs large pair of dagu drums (or ‘Dragon Drums’) produce strong and characterful tones with lengthy sustain.
Wooden sticks to produce the traditional dagu sound
Hard felt mallet for a less pronounced attack
All available beaters and techniques for the Dragon Drums presented across the keyboard
A pair of floor toms positioned on opposing sides. These drums provide a tight, powerful attack and an explosive, hard-hitting tone.
Taiko sticks producing a hard attack and accentuated top end
Taiko sticks and a hide skin placed over the head of the drum for a muted sound
Wooden rods producing an articulate sound with reduced resonance
All available beaters and techniques for the Epic Toms presented across the keyboard
With its 60” diameter shell this giant taiko (or O-Daiko) produces deep, controlled lows whilst remaining dexterous and agile.
Taiko sticks producing a hard attack
Taiko sticks and a blanket covering the rear head of the drum to reduce resonance
Felt mallets for a variation on the classic taiko sound
Felt mallets and a blanket covering the rear head of the drum to reduce resonance
Performances with fists on the head of the drum producing a softer attack with a darker tone
All available beaters and techniques for the Giant Taiko presented across the keyboard
This gong drum is constructed with a single oversized head, producing a very fat and 'modern' sound with a fast attack and punchy low end.
Hard Felt
Hard felt mallets producing a strong attack
A soft felt mallet producing a rounded attack
Bamboo puili sticks, creating a detailed, high pitched attack with a tight resonance
All available beaters and techniques for the Gong Bass Drum presented across the keyboard
A Brazilian instrument which traditionally provides the lower rhythms in samba music. This 22" aluminium shell variant produces a dense sound with a distinctive attack.
Performances with a felt beater to produce the signature surdo sound.
Performances with the hands on the head of the drum
All available beaters and techniques for the Surdo presented across the keyboard
A pair of Japanese solid Siam oak taiko drums producing a very focussed sound to create impactful, driving rhythms.
Performances with wooden taiko sticks to produce the traditional taiko sound
Hard felt mallets for a variation on the classic taiko sound
Medium felt mallets producing a mellower attack
Performances with brushes for a more delicate timbre
Performances with the hands on the head of the drum
All available beaters and techniques for the Low Taiko drum presented across the keyboard
All available beaters and techniques for the High Taiko drum presented across the keyboard
A spread set of vintage silver single headed toms, adept at both slow and rapid accented passages owing to their extremely clear and resonant tone.
Wooden drum sticks producing a hard and immediate attack with a powerful tone
Wooden drum sticks on the rim of the drum to produce a 'tapping' sound
Wooden drum sticks and a tea towel placed over the head of the drum for a muted sound
Hard felt mallets producing a strong attack with a balanced tone
Wooden rods producing an articulate sound with reduced resonance
Performances with dense nylon brushes producing a softer attack but with plenty of body
All available beaters and techniques for the lower pitched Toms presented across the keyboard
All available beaters and techniques for the higher pitched Toms presented across the keyboard
A bespoke IR developed at Abbey Road Studios
To further enhance your creative workflow, this product includes a free MIDI pack of fundamental drum rudiments. These building blocks of percussion technique are programmed specifically for Abbey Road Orchestra Percussion, leveraging the intuitive right/left hand mapping for authentic performance.
Drag and drop these rudiments into your compositions at any tempo, and freely edit them within your DAW, adding realistic drum techniques with ease.
Up to 12 round robins and 10 velocity layers deliver unrivalled realism in this suite of orchestral and indigenous drums. Extremely responsive and highly tactile, Low Percussion explores the timbral and textural range of 20 drums, with up to seven beater options per drum, performing hits, rolls, swirls and sweeps sampled in incredible detail. All performed by virtuoso percussionist Joby Burgess.
Diverse drums spanning a huge tonal palette
Studio One: Icon of the past, innovator for the future.
A host to celebrated classical recordings from Elgar to Prokofiev, as well as iconic film scores from The Lord Of The Rings Trilogy*, The Empire Strikes Back*, and more recent releases Avengers: End Game and Black Panther, Studio One is one of the most in-demand recording studios in the film scoring landscape. Home to one of the greatest in-house collections of vintage and modern microphones and a control room fitted with a 72-channel Neve 88 RS console with a unique and comprehensive surround monitor section, Studio One was the perfect setting for our recording sessions, meticulously curated, recorded and programmed to deliver you the world's most detailed sampling orchestra.
The opportunity to perfect every strike and roll in the glorious acoustic of Studio One was not missed and we took time to make the best microphone choices and hone their positions.
Simon Rhodes, Senior Engineer, Abbey Road Studios
Decades of expertise
This library has been formed by some of the world’s best producers in music recording, created for professional composers of film, television, game and performance.
Joby Burgess
Black Panther, Mission: Impossible
One of Britain’s most diverse percussionists, Joby is equally at home performing with Peter Gabriel at Red Rocks Amphitheatre and The Who at Wembley Stadium as reimagining Blade Runner at Sydney Opera House and Ibiza Classics at the Royal Albert Hall. Joby’s playing can be heard on major film and TV scores, notably leading the percussion sections on the Black Panther and Ant-man franchises, Spirited, The Harder They Fall, Rocketman, Ad Astra, The Darkest Hour, Obi-Wan Kenobi and Doctor Who.
Simon Rhodes
Titanic, Skyfall
Simon joined the EMI Abbey Road Studios in 1987. He is now Senior Engineer and has a long standing association with various composers including the late James Horner with whom he worked for 18 years on over 40 projects including Avatar, one of the highest grossing films of all time.
macOS requirements
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