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Sampled in a small venue using state of the art equipment.
$59.00
Earn 131
Note: This product is compatible with Kontakt Full 7.6.1 and above
The vibraphone featured in Virtuosity Vibraphone was unboxed and assembled shortly before recording. As a brand new instrument, it is provides an unusual reference for a perfect-condition sample set unlike most libraries made using instruments years or even decades old.
Careful calibration was done to ensure the mechanism was fully set up prior to sampling and avoid common issues such as improperly set dampers and unequal ringing of notes.
6 sets of microphones were used to record the vibraphone at various distances and with various sound qualities. These microphones were hand-chosen for their low noise and high accuracy, over more traditional recording mics, many of which are an order of magnitude or two more noisy.
Up close, the Samar VL373A stereo ribbon mic provides a rich, wide sound while retaining 100% mono compatibility with its coincident Blumlein configuration.
For the critical overhead role, two pairs of SDCs provide two contrasting views: the laboratory reference Gefell M221 measurement omnis vs. the rare supercardioid sE RN17’s with their massive transformers. Space and precision vs. focus and vibe.
Rather than compromise by choosing one or the other, VISAGE lets you mix continuously between the two overheads, creating a “virtual mic” of any pattern between omni and supercardioid.
The main position is filled by a pair of transformer-equipped Gefell M930Ts. A single-diaphragm LDC, this microphone is one of the quietest in existence (7 dBA) with a bright, modern response which is also unusually flat down to below 40 Hz.
Further down the room, a pair of the ultra-quiet Rode NT1’s with their 4 dBA self noise and tight cardioid pattern provide a useful room sound for situations that require a less present sound.
Underneath the vibraphone are a whisper-quiet pair of Gefell M940 supercardioid LDC’s. Even lower noise than the M930Ts, these microphones capture the resonance and body of the instrument in a configuration mirroring the overheads.
The real pedal behavior of the vibraphone was meticulously sampled. When you press a key without holding down the sustain pedal, a short “closed” sample is played, which was recorded with the damper still engaged. This is useful in repetitive, staccato lines where you don’t want the resonance of the instrument to build up.
Normal playing occurs while the sustain pedal is held down. These notes will sustain until the sus pedal is released, at which time a variety of real sampled releases will play.
A separate ‘Sustained’ articulation provides a less realistic piano-style behavior for working without a sus pedal.
Separately recorded pedal mechanical noises are also captured and adjustable in VISAGE.
The entire vibraphone is chromatically sampled, providing a more accurate sound than instruments sampled using wholetone or diatonic methods.
Chromatic sampling allows the slightly different positioning of the accidentals (“black keys”) to be audible in the instrument.
All articulations feature 4VL and 4RR for a natural and dynamic feel.
A mainstay in Versilian Studios vibraphones since VSCO 2 Pro, we of course couldn’t forget about bowed vibraphone!
Bowed vibes is accomplished by bowing each key with a bass bow one by one. Thus only stereo polyphony is generally possible, and the effect is best left to individual notes in common use.
Releases were captured as well for this articulation.
In this patch, velocity control the attack time of the bowing while modwheel allows some control over the volume.
Utilizing the new VISAGE engine to its fullest, Virtuosity Vibraphone packs in a range of controls over every aspect of the instrument including but not limited to:
This product is downloaded using Pulse
