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Rare 1970's-era portable analog synthesizer
$17.40
$29.00
Earn 41
Note: This product is compatible with Kontakt Full 5.5.2 and above
Granada 49 was recorded by John Valasis. John is a Greek-born composer, producer and sound designer. From his Athens based studio, he delivers scoring, foley and sound design services for a great number of local and international clients. John's clientele includes prestigious brands such as Native Instruments, Ableton, Soundiron, Virgin, Amazon Prime Video, Vice Magazine and the BBC. As of 2014, John belongs to the roster of Ninja Tune's publishing house Just Isn't Music, alongside artists like Amon Tobin, Bonobo, Flying Lotus and The Cinematic Orchestra.
John's professional experience began in the 90s, emerging in his late teens as a composer and producer for popular music and gradually expanding his skill-set across a large variety of genres. With the abilities he acquired through his 20-year professional career, as well as his genuine love for soulful music, he has managed to craft a strong, musical identity which sound both personal and diverse. When not working on tight deadlines, John uses Poordream as a vehicle to freely express his emotions and inο¬uences without defining limits and by exploring sound and composition beyond the boundaries of conventional electronic music.
This Fesma Granada 49 was recorded through its direct line outputs. We recorded its nine stock waveform presets with sustains and staccato samples for each key. The included octave, vibrato and FX rack give you an easy-to-use interface to completely customize and shape its fat analog sound to fit a variety of creative styles.
The library comes equipped with flexible control features, like Swell, pitch Glide, Attack, Release, Vibrato, and Octave. There’s also a complete DSP effects rack, including convolution reverb with dozens of unique spaces, such as cathedrals, churches, halls, bunkers, garages, tunnels, chambers, rooms and plenty of otherworldly FX impulses to fully explore and endless variety of strange and unexpected sonic manipulations.